Sarahq: Getting together with friends for a laugh in these colours looks like a rainbow of fashionable skittles. There is something about this image that brings a great sense of happiness and joy about the fashion circuit. With the deadlines and fast pace of the industry, there will always be a job well done somewhere and a celebration to be had. So, i guess that a fashion week after party and / or a laugh with the girls may be the end of a fashion week run, but is just the begining of long lasting friendships and giggles in rainbows of skittles.Source: Sarahq
A laugh with the girls
Sarahq: Getting together with friends for a laugh in these colours looks like a rainbow of fashionable skittles. There is something about this image that brings a great sense of happiness and joy about the fashion circuit. With the deadlines and fast pace of the industry, there will always be a job well done somewhere and a celebration to be had. So, i guess that a fashion week after party and / or a laugh with the girls may be the end of a fashion week run, but is just the begining of long lasting friendships and giggles in rainbows of skittles.Source: SarahqKyaa Super Kool Hain Hum – Movie Review
‘Kyaa Super Kool Hain Hum’: Uncool show of tasteless humour, bad acting
Film: “Kyaa Super Kool Hain Hum”, Starring: Riteish Deshmukh, Tusshar Kapoor, Director: Sachin Yardi, Rating: Beyond Rating , Sach mein, boss. Kya super-kool film hai. There are these two jobless, aimless, witless guys one of whom can’t act to save his life, and the other one who can act but has to pretend he can’t to keep pace with the one who can. Now, get a load of this. Sid (Riteish Deshmukh) is a struggling musician. Adi (Tusshar Kapoor) is a struggling actor. And they’re part of a sex comedy struggling to be funny in every single line that these two chaddi buddies utter to one another and to the world at large. So the real hero of this masterpiece of murky mirth is the dialogue writer. He uses every possible occasion in the dialogue draft to slip in sexual puns. Not a single human orifice is spared in the furious fusillade of double innuendos. In that sense, this a very democratic comedy. It insults every one and everything from dogs to humans, from gays to gurus…you name it. And why shouln’t it? This is after all the official sequel to a 2005 comedy that defied every rule of good taste. “Kyaa Super Kool Hain Hum” multiplies the filth manifold. The packaging and presentation are this time updated. The glamour quotient is enhanced with the presence of two engaging eye-candies Neha Sharma and Sarah Jane Dias who join in the vulgarity with a gusto that suggests a deep bond between risque humour and sex appeal. So is risque sexy? Is raunchy cool? You decide. As far as I am concerned I am still too numbed by the ceaseless torrent of verbal obscenity to figure out if a barrage of dirty puns and phallic objects being stuck
into every conceivable hole, strung together in a succession of gags and episodes can be called a film. Delhi Belly, here they come? There are some good comic actors here, giving really bad performances. The gay jokes are stretched to limits beyond offensiveness that climaxes with the two ladies dressed as Chandramukhi and Paro singing “Dildo la dildo la”. That pun on the original song Dil dola from Sanjay Leela Bhansali’s “Devdas” was smsed ad nauseam when the film was released in 2002. Most of the pssst-pssst jokes in this farce fest come across laboured and tired. Deshmukh, a comic actor of impeccable aptitudes, does his best to breathe life into gags and situations that elevate puerility to an art form. He succeeds in making us titter when we aren’t busy squirming over the onslaught of obscenity. The rest of the cast takes the cult of crassness to hammy heights. Anupam Kher, for example, plays a millionaire in Goa who believes his dead mom has been reincarnated as a canine. And when he catches his alleged ‘mom’ doing what doggies do when they are in a film of this sort, he assumes his mother is now getting on her four legs what his father never gave on two legs. If you think the above situation is funny, then go ahead. Go for the film and laugh your head off at the frenzy of phallic jokes. Oh yes , lest the other gender feels left out there’s a ‘joke’ about the other kind of genitilia too when Ritesh dumps a cat into Tusshar’s hands and says, “Take it. This is the only pussy you’re ever going to get.” Pussy or not pussy, that is hardly the question. Humour them. Laugh. – IANS, Source: Bollywood World
into every conceivable hole, strung together in a succession of gags and episodes can be called a film. Delhi Belly, here they come? There are some good comic actors here, giving really bad performances. The gay jokes are stretched to limits beyond offensiveness that climaxes with the two ladies dressed as Chandramukhi and Paro singing “Dildo la dildo la”. That pun on the original song Dil dola from Sanjay Leela Bhansali’s “Devdas” was smsed ad nauseam when the film was released in 2002. Most of the pssst-pssst jokes in this farce fest come across laboured and tired. Deshmukh, a comic actor of impeccable aptitudes, does his best to breathe life into gags and situations that elevate puerility to an art form. He succeeds in making us titter when we aren’t busy squirming over the onslaught of obscenity. The rest of the cast takes the cult of crassness to hammy heights. Anupam Kher, for example, plays a millionaire in Goa who believes his dead mom has been reincarnated as a canine. And when he catches his alleged ‘mom’ doing what doggies do when they are in a film of this sort, he assumes his mother is now getting on her four legs what his father never gave on two legs. If you think the above situation is funny, then go ahead. Go for the film and laugh your head off at the frenzy of phallic jokes. Oh yes , lest the other gender feels left out there’s a ‘joke’ about the other kind of genitilia too when Ritesh dumps a cat into Tusshar’s hands and says, “Take it. This is the only pussy you’re ever going to get.” Pussy or not pussy, that is hardly the question. Humour them. Laugh. – IANS, Source: Bollywood World
The Three Stooges
This movie is an adaptation of the slapstick comedy in the 50s and my parents will definitely have more formative experience about The Stooges than I. Just recently, I was able to watch it when the local terrestrial station airs it every midnight in their selective retro slots. Been following it for about six weeks, I begin to understand why they were the true celebrity back then and how believably workable the slapstick dialog and hilarious action was. In this modern era, Hollywood would love to chunk out the old stuffs and brandishes it with new fancy stuffs for the audience to gag, although usually it does not work well. This movie is just like that, unfortunately. The Three Stooges has hits and misses. For that many already know this will be it after all. You do not watch this for anything other than a good laugh. If you hope for something else, you definitely have no idea at all. While the humors are incredibly lame, crude, laughable and faithful to the original; the movie lacks the nostalgia and humility that makes the 50s
comedy so lovable and magical. That is the biggest miss any remake can possibly go. Either something is missing or we just cannot go along with this kind of comedy anymore, but I strongly believe that it is due to the plot. Farrelly’s screenplay is vulnerable to extreme absurdity (especially in the middle stint) but is also treated with some clever-yet-lame physical comedies. As the plot goes, The Three Stooges is all about Moe, Larry and Curly. If there is one thing that the trio has truly learned during their 30 years of stay with the nuns and orphans of the Sisters of Mercy Orphanage, it is trouble. One day, the orphanage was forced to close due to economic meltdown and financial difficulties. The Stooges stands up and pledges to finds considerable amount of money to save the orphanage. On arrival to the big city, they find rare opportunities to earn substantial cash through a murder plot against a millionaire and an accidental stardom in a popular TV program. The casting of Chris Diamantopoulos, Sean Hayes and Will Sasso as Moe, Larry and Curly, respectively is just ideal. Physically and performance-wise are just perfectly-pitched and timed. Never have I seen characters doing eye-poking, head-hammering and face-slapping so mesmerizing. The addition of Larry David as one nun who hates the trio is also a welcoming note that enhances the acting. For all that, there is nothing to complaint about. In the end, as perfect as the casting in The Three Stooges is, it yields to see that it is not entirely a bad attempt to evoke some laugh with its lame and vulnerable plot that lacks the proper nostalgia. Source: Green-Tea-Movie
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