Michael Jackson biopic now scheduled to release in April 2026
Remembering Malcolm-Jamal Warner: A Life of Talent, Impact, and Legacy in Entertainment!
- The Cosby Show (multiple episodes)
- The Fresh Prince of Bel-Air
- Malcolm & Eddie (where he also starred)
- All That
- Kenan & Kel
- Reed Between the Lines (where he also starred and executive produced)
- The Resident (one episode)
- The Miles Long Mixtape (2003): His debut jazz-funk EP.
- Love & Other Social Issues (2007): His second CD.
- Grammy Award (2015): Won for Best Traditional R&B Performance for his contribution to the Robert Glasper Experiment's cover of Stevie Wonder's "Jesus Children" (featuring Lalah Hathaway).
- Hiding in Plain View (2022): His spoken word poetry album, which received a Grammy nomination for Best Spoken Word Poetry Album.
- "Not All Hood" (NAH): Recently launched a podcast exploring Black identity, masculinity, and culture.
- The Cosby Show (1984–1992): Theodore "Theo" Huxtable
- Here and Now (1992–1993): Shawn (Lead Role)
- Malcolm & Eddie (1996–2000): Malcolm McGee (Co-lead)
- The Tuskegee Airmen (1995): Leroy Cappy (Television film)
- Drop Zone (1994): Deputy U.S. Marshal Terry Nessip
- Jeremiah (2002–2004): Kurdy Mallory
- Listen Up (2004-2005): Bernie Widmer
- Fool's Gold (2008): Cordell
- Reed Between the Lines (2011–2015): Dr. Alex Reed (Lead Role)
- Major Crimes (2013–2016): Lieutenant Chuck Cooper
- American Horror Story: Freak Show (2014-2015): Angus T. Jefferson
- American Crime Story: The People v. O.J. Simpson (2016): Al Cowlings
- Suits (2016–2017): Julius Rowe
- The Resident (2018–2023): Dr. AJ "The Raptor" Austin (Series Regular)
- Accused (2023): Kendall Gomillion
- The Irrational (2023): Dustin Atwood
- Alert: Missing Persons Unit (2024-2025): Chief Inspector Bill Houston (Recent role)
- Primetime Emmy Award Nomination: Outstanding Supporting Actor in a Comedy Series (The Cosby Show, 1986)
- Grammy Award: Best Traditional R&B Performance (2015)
- Grammy Award Nomination: Best Spoken Word Poetry Album (2022)
- NAACP Image Award: Outstanding Actor in a Comedy Series (Reed Between the Lines, 2012)
- Young Artist Awards: Multiple wins for The Cosby Show.Malcolm-Jamal Warner’s enduring legacy is that of an artist who continually evolved, broke barriers, and used his platform to create meaningful work. He will be deeply missed, but his contributions to entertainment will undoubtedly continue to inspire for generations to come.
Miss World Opal Suchata Chuangsri opens up on her plans of visiting Ram Mandir, Ayodhya

Telangana to host the 72nd 'Miss World', grand finale in Hyderabad
Gujarati film Umbarro premiers in the US after international success
From left, Padma Shri recipient and chairman of Parikh Worldwide Media/ITV Gold Dr. Sudhir Parikh, H.R. Shah, chairman of TV Asia, Chintu Patel, Falguni Patel speaking, India’s Consul General in NY Binaya Srikanta Pradhan, and Srujal Parikh of Federation of Indian Associations. PHOTO: Sachin Ravindran, ITV Gold
Among the guests at the screening of the film Umbarro, were, From left Dr. Sudha Parikh, Dr. Sudhir Parikh, Padma Shri recipient and chairman of Parikh Worldwide Media, and India’s Consul General in NY Binaya Srikanta Pradhan. PHOTO: Sachin Ravindran, ITV Gold
Consul General of India in New York Binaya Srikanta Pradhan, right, was the chief guest at the screening of the film Umbarro. Also seen in photo, filmmaker Falguni Patel, center, and her husband Chintu Patel, left. PHOTO: Sachin Ravindran, ITV GoldAvneet Kaur wraps up the first schedule of her international film 'Love In Vietnam'
India to host World Audio Visual & Entertainment Summit
First South Asian International Film Festival Florida on April 19 and 20
The South Asian International Film Festival Florida will be held in Tampa from April 19 to 20. Photo: Hemant DinkarAhmedabad International Children Film Festival Celebrates Its 5th Edition
A truly international slate: your guide to the 2024 Oscar nominees for best documentary
Four Daughters/Chrysaor
Phoebe Hart, Queensland University of TechnologyThis year, all the Oscar nominees for best documentary feature come from outside of the United States.
The dominance of international nonfiction films has some in Hollywood concerned. The North American market has become saturated with true crime and celebrity-powered offerings – often to the detriment of makers of rigourous investigations, riveting real-life stories or innovative artistic expressions.
My research finds, with courage and persistence, documentary filmmakers outside established centres of power draw attention to global problems at the local level. This year’s nominees demonstrate how the industry has shifted from safe topics for English-speaking viewers. This is good news for audiences who want to see depictions from more of the world in which we live.
Here is your guide to the 2024 nominees for best documentary feature.
Bobi Wine: The People’s President
Bobi Wine: The People’s President charts the journey of Ugandan musician Robert Kyagulanyi Ssentamu (stage name Bobi Wine) from humble roots in a Kampalan slum to contesting the corrupt rule of the inexorable Yoweri Museveni as a presidential candidate in 2021.
The first crossroad comes as Museveni changes the country’s constitution to allow him to rule until his death, which Wine and his supporters oppose. On concocted charges, police arrest and torture the popstar-turned-politician. But Wine has the hearts of young voters, as well as his wife Barbie, who adds a personal insight to this fight for freedom.
Although it contains confronting material, Moses Bwayo and Christopher Sharp’s film is the most accessible of the nominees. The documentary features an uplifting Afrobeat soundtrack, and includes astonishing sequences of “people power” at rallies and in protest against state-sanctioned interference to Wine’s campaign.
The Eternal Memory
Maite Alberdi’s portrait of patience and love, The Eternal Memory, has a strong chance at this year’s awards. The film won a top prize at the 2023 Sundance Film Festival and this is Alberdi’s second Oscar nomination for best documentary, after The Mole Agent in 2021.
Journalist Augusto Góngora witnessed many momentous events of Chilean history but his memories are being ravaged by Alzheimer’s disease. His wife of many years, Paulina Urrutia, attempts to stimulate her husband’s confused mind.
Archival footage of Góngora’s reports during the military overthrow of the democratic socialist government in 1973 intersperse this tender documentary. His efforts to record the violence of the Pinochet regime serve as a warning against forgetfulness, and the lyrical tone and steady pace of The Eternal Memory remind the viewer that time passes quickly, so seize the day.
Four Daughters
Filmmaker Kaouther Ben Hania tells the heartrending story of a Tunisian family affected by Islamic radicalisation. The documentary blends fact and fiction by casting actors to play the roles of two absent daughters, Ghofrane and Rahma.
Since the 2011 uprising that ousted autocratic former President Ben Ali, Tunisia has experienced poverty and violence, leading many young people to go to nearby countries to enlist as jihadists.
We watch as mother Olfa Hamrouni meets her surrogate daughters, played by Ichrak Matar and Nour Karoui. Together with the remaining girls, Eya and Tayssir, they reenact scenes from their lives together. Another actor, Hend Sabry, is on standby to take Olfa’s place for parts that are “too difficult” to play as herself.
Four Daughters examines themes of generational loss for women in the Arab world, but not without moments of resilience and humour. Ben Hania’s therapeutic approach to working with her participants challenges practitioners who deploy exploitative modes of documentary production.
To Kill a Tiger
Indian-born Canadian filmmaker Nisha Pahuja’s stunningly shot and scored documentary deals with the gang rape of a 13-year-old girl during a wedding party in Jharkhand in eastern India.
Rice farmer Ranjit seeks justice for his eldest daughter Kiran through the court system: a rare course of action in rural India. Activists from the Srijan Foundation join Ranjit’s quest, hoping to garner a crucial conviction for the crime and to end entrenched prejudices that lead most gender-based violence in India to go unreported.
Pressure and threats mount as Pahuja and her crew capture an all-or-nothing battle. To Kill A Tiger has several unforgettable scenes – and the glimmer of hope on the horizon.
20 Days in Mariupol
Predicted as the favourite to win in a tight race, Pulitzer-prize winning journalist Mstyslav Chernov’s observational-style account of the Russian invasion of the Ukrainian port city Mariupol makes for tense viewing. When Russian troops surround the city, the bombarded citizens and journalists are left without utilities and unable to escape.
This film follows an investigative journalism approach. Chernov sends dispatches to his editors of ordinary people during extraordinary times, and the resulting news items become punctuation points in the film.
Chernov’s camera goes on to tape several atrocities that are terrible yet crucial to witness, making the account an apt recipient of recognition. The bravery to point the camera in the face of oncoming danger is remarkable, and the documentary greatly benefits from a tight assembly by editor Michelle Mizner, who also produced.![]()
Phoebe Hart, Associate Professor, Film Screen & Animation, Queensland University of Technology
This article is republished from The Conversation under a Creative Commons license. Read the original article.
As Disney turns 100, the brand’s real legacy is its business acumen
“100 Years of Wonder” is the theme for Disney’s year-long promotion of the company’s centenary. From special Disney on Ice events to a retrospective at the British Film Institute and limited edition Disney100 merchandise, Disney’s celebration is big business.
The wonder and magic of Disney is consistently promoted. And yet I would argue that Disney’s greatest legacy is not its animated stories or characters, but the more mundane history of its mergers, acquisitions and intellectual property rights.
The business acumen of those behind the scenes at Disney have been central to the peaks and troughs of the company’s enduring presence in the film industry and popular culture at large.
Early Disney
The Walt Disney Company was founded in Hollywood by brothers Walt and Roy Disney in 1923.
Before this, along with friend and animator Ub Iwerks, the brothers had founded Laugh-O-Gram Studio in Kansas City. They then moved west with their successful silent Alice Comedies series, which featured both animation and live action.
Animation is what the Disney studio became known for. First with their shorts which included Mickey Mouse’s third outing in the studio’s first sound film, Steamboat Willie, and the Silly Symphony series. And then in their feature length films, beginning with Snow White and the Seven Dwarfs in 1937.
The first two decades of the studio established Disney’s desire for innovation and profit. This was illustrated through their early adoption of merchandising (Mickey Mouse merchandise was profitable in the mid 1930s) and various technologies, such as Technicolor and sound.
Sinking most of their profits back into their expensive animated ventures led Disney to find ways to cut costs. This included making live action nature series, television shows and opening Disneyland, their first amusement park, in Los Angeles in 1955.
While their animated products were no longer as groundbreaking as they once were, their adoption of television in the 1950s was lucrative and popular, especially The Mickey Mouse Club (1955) and Davy Crockett (1954).
Furthermore, television afforded the company the opportunity to promote their products and authenticate Disney’s position at the forefront of animation. However, live action films – quicker to make and less expensive than animation – dominated their releases in the 1960s, with stars Haley Mills, Fred MacMurray and Dean Jones appearing in multiple Disney films.
In 1966, Walt died. Roy then passed in 1971 and Walt Disney World opened in Florida the same year. In many ways, the Disney Company was never the same after the loss of the founding brothers.
Disney without Walt
The template was established for how the company would function for the next 50 years. Disney animation innovated again in the late 1980s and early 1990s through computer animation. A renaissance took place with the releases of The Little Mermaid (1989), Beauty and the Beast (1991) and The Lion King (1994).
They also expanded into cable television with The Disney Channel and founded a distribution label, Touchstone Pictures, that focused on films for adults.
There was unhappiness among animators at the studio towards the company’s bureaucracy and the perception that profits always went back into the films and not to improving working conditions or salaries (one major strike against Disney took place in 1941).
The list of former Disney animators that went on to work elsewhere or open their own animated studios is long and diverse.
Walt had learned the importance of owning rights early in his career, after he lost the intellectual property to his first successful animated character, Oswald the Lucky Rabbit. The imperative to retain proprietorship and diversify the corporation can be witnessed in many of Disney’s deals and mergers.
In 1991, Disney agreed to make films with Pixar, which has gone on to be regarded as an innovative animated studio. They later acquired Pixar in 2006.
Disney Today
In 1995, Disney acquired the ABC television network, which also owned the cable sports network, ESPN. In April 2004, Disney purchased the Muppets franchise. In 2009, Marvel Entertainment was acquired and Lucasfilm was bought in 2012.
Through these purchases, Disney has become one of the most significant entertainment companies in the world and one of the few early Hollywood studios that still maintains name recognition (Disney bought out 20th Century Fox in 2019).
Whereas for earlier generations Disney stood for Mickey Mouse, animated fairy-tale features and family entertainment, for younger generations, Disney is a streaming service, amusement park brand and the creator of the Star Wars universe television programming.
Traces of Walt, Roy and the pioneering animation established in the early days of the studio can be seen in their animated releases, such as Encanto (2021), and company legacy through the “reimagining” of their animated films, such as the recently released live action The Little Mermaid.
The commercial landscape of the entertainment business is always in flux. While many companies are operating their own streaming services, the long term success of these services are questionable. This is most evident in the recent writers and actors strike in Hollywood that was mainly focused on outdated royalty models that do not account for streaming media content.
Disney’s last few releases were not as successful as they had anticipated at the box office and they have lost a significant amount of Disney+ subscribers this year. However, this is a trend taking place throughout Hollywood and, while Disney is struggling, they remain a significant brand in the global media market.
And there is no question that their theme parks continue to be popular with families who want to immerse themselves in all things Disney.
The magic of Disney’s animation and the memories created at their theme parks is part of their “100 years of wonder”. But so is their successful business model that has continually adapted to changes in the entertainment business and its persistent cultural relevance.

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Julie Lobalzo Wright, Assistant Professor in Film and Television Studies, University of Warwick
This article is republished from The Conversation under a Creative Commons license. Read the original article.
Is the Barbie movie a bold step to reinvent and fix past wrongs or a clever ploy to tap a new market?
Lauren Gurrieri, Associate Professor in Marketing, RMIT University This article is republished from The Conversation under a Creative Commons license. Read the original article.Mrs world 2022 Sargam Koushal not averse to joining Bollywood
With Elton John, Britney Spears releases 1st new song since 2016

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Gothenburg Film FestivalSpace Animation: Sentinel-1a from Operation Copernicus
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X-Men: Days of Future Past

By Jedd Jong: The “biggest X-Men film yet” has almost everybody from both the X-Mentrilogy and 2011’s X-Men: First Class in attendance as part of this decades-spanning odyssey. In a post-apocalyptic future, mutants are at war with formidable, super-advanced Sentinel robots. Professor Xavier (Stewart) and Magneto (McKellen) hatch a plan to have Shadowcat (Page) project the consciousness of Wolverine (Jackman) into the body of his younger self; a sort of metaphysical time-travel. “Arriving” in 1973, Wolverine has to wrangle Xavier and Magneto’s younger selves (McAvoy and Fassbender respectively) in order to stop the war before it begins. A threat to mutants emerges in the form of Dr. Bolivar Trask







- Director : Bryan Singer
- Cast : Hugh Jackman, James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Peter Dinklage, Patrick Stewart, Ian McKellen, Evan Peters, Halle Berry, Ellen Page, Shawn Ashmore, Omar Sy, Daniel Cudmore, Fan Bingbing, Adan Canto, Booboo Stewart, Josh Helman, Lucas Till, Evan Jonigkeit
- Genre : Action, Adventure
- Opens: : 22 May 2014
- Rating : PG13 (Some Violence & Brief Coarse Language)
- Summary: The biggest, most ambitious X-Men film yet is also the greatest.
- RATING: 4.5 out of 5 Stars





Screen Cartoonist’s Guild on strike at Walt Disney Productions in 1941. 