Michael Jackson biopic now scheduled to release in April 2026


Los Angeles, (IANS) The biopic based on the life of the King of Pop Michael Jackson titled “Michael” will now release worldwide on April 24, 2026.

The film was earlier scheduled to release in October 2025.

Antoine Fuqua directs, with John Logan as screenwriter and Jaafar Jackson starring as his late uncle. Graham King, an Oscar winner for “The Departed,” produces, reports variety.com.

“‘Michael’ explores the global superstar’s journey to become known to the world as the King of Pop, presenting an intimate look at the life and enduring legacy of one of the most influential, trailblazing artists the world has ever known,” the synopsis reads.

Lionsgate is releasing the film domestically, with Universal handling distribution in the rest of the world except for Japan, which is handled by Kino Films.

Lionsgate CEO Jon Feltheimer said in May that the movie was “likely” to move to 2026.

Although it wrapped production in May 2024, the project underwent reshoots and came in with a lengthy initial cut. Earlier, there had been discussion about releasing the film in two parts.

“Michael” also stars Colman Domingo and Nia Long as family heads Joe and Katherine Jackson. Miles Teller plays John Branca, Jackson’s attorney and advisor.

Larenz Tate plays Motown Records founder Berry Gordy, with Laura Harrier as music executive Suzanne de Passe and Kat Graham will appear as Diana Ross.

Other cast members include Jessica Sula as La Toya Jackson, Michael’s older sister; Liv Symone as Gladys Knight; Kevin Shinick as Dick Clark; KeiLyn Durrel Jones as Jackson’s former security-turned-trusted friend and confidante Bill Bray; and Kendrick Sampson as Quincy Jones, who first met Michael Jackson when he was just 12 years old, reports variety.com.

It was in 2009, when MJ died of acute propofol intoxication in Los Angeles, California, at the age of 50. His personal physician, Conrad Murray, said that he found Jackson in his bedroom at his North Carolwood Drive home in the Holmby Hills area of the city not breathing and with a weak pulse; he administered CPR to no avail, and security called 9-1-1. Paramedics treated Jackson at the scene, but he was pronounced dead at the Ronald Reagan UCLA Medical Center in Westwood.

Later, the Los Angeles County Department of Medical Examiner concluded that Jackson's death was a homicide. Jackson had been administered propofol and anti-anxiety benzodiazepines lorazepam and midazolam by his doctor.Murray was convicted of involuntary manslaughter in November 2011, and was released in 2013 after serving two years of his four-year prison sentence with time off for good behavior.Michael Jackson biopic now scheduled to release in April 2026 | MorungExpress | morungexpress.com
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Remembering Malcolm-Jamal Warner: A Life of Talent, Impact, and Legacy in Entertainment!

Los Angeles, CA – The world of entertainment recently lost a versatile talent with the passing of Malcolm-Jamal Warner on July 20, 2025, at the age of 54. Best known globally as Theo Huxtable from the iconic The Cosby Show, Warner's career extended far beyond acting, encompassing directing, music, and spoken word poetry. His profound impact on television and culture, coupled with his understated brilliance, solidified his place as a beloved figure in Hollywood.

Warner's untimely death due to an accidental drowning in Costa Rica has deeply saddened his colleagues and fans. His life was a testament to dedication and artistic exploration, leaving behind a rich tapestry of work that continues to resonate.

Biography: From Child Star to Multi-Hyphenate Artist

Born on August 18, 1970, in Jersey City, New Jersey, Malcolm-Jamal Warner was named with a nod to significant cultural figures: Malcolm X and jazz pianist Ahmad Jamal. Raised in Los Angeles from the age of five, his interest in performance blossomed early, leading him to enroll in acting schools by age nine. He honed his craft at The Professional Children's School in New York City, graduating as a child performer.

His breakout role arrived in 1984 with Theodore "Theo" Huxtable on NBC's The Cosby Show. As the relatable, fashion-conscious son of Cliff and Clair Huxtable, Theo became a cultural touchstone, earning Warner an Emmy nomination for Outstanding Supporting Actor in a Comedy Series in 1986. He appeared in all eight seasons of the groundbreaking series, which ran until 1992.

After The Cosby Show, Warner consciously diversified his career, seeking roles that challenged him and exploring his passion for music and directing. He became a respected figure behind the camera, helming episodes of popular sitcoms, and a Grammy-winning musician and poet, further showcasing his artistic depth.

His personal life was largely kept private in later years, though he had notable past relationships with actresses Michelle Thomas and Regina King. He is survived by his wife and daughter, whose identities he chose to keep out of the public eye.

Directorial Vision: Behind the Camera

Beyond his celebrated acting, Malcolm-Jamal Warner was a seasoned director. His keen understanding of storytelling and character translated effectively behind the lens. He directed episodes for a number of television series, demonstrating his versatility across comedic and dramatic genres.

Notable Directorial Credits Include:
  • The Cosby Show (multiple episodes)
  • The Fresh Prince of Bel-Air
  • Malcolm & Eddie (where he also starred)
  • All That
  • Kenan & Kel
  • Reed Between the Lines (where he also starred and executive produced)
  • The Resident (one episode)
Musical & Poetic Soul: A Grammy-Winning Artist

Warner's artistic expression wasn't confined to acting and directing. He was a passionate musician, particularly in the jazz-funk genre, as the frontman for his band Miles Long. His spoken word poetry also gained significant recognition.

Key Musical & Poetic Achievements:
  • The Miles Long Mixtape (2003): His debut jazz-funk EP.
  • Love & Other Social Issues (2007): His second CD.
  • Grammy Award (2015): Won for Best Traditional R&B Performance for his contribution to the Robert Glasper Experiment's cover of Stevie Wonder's "Jesus Children" (featuring Lalah Hathaway).
  • Hiding in Plain View (2022): His spoken word poetry album, which received a Grammy nomination for Best Spoken Word Poetry Album.
  • "Not All Hood" (NAH): Recently launched a podcast exploring Black identity, masculinity, and culture.
A Diverse Acting Filmography: Beyond Theo

While Theo Huxtable remains his most iconic role, Malcolm-Jamal Warner consistently challenged himself with a wide array of characters across television and film, showcasing his range and dedication to his craft.

Selected Acting Filmography (Television & Film):
  • The Cosby Show (1984–1992): Theodore "Theo" Huxtable
  • Here and Now (1992–1993): Shawn (Lead Role)
  • Malcolm & Eddie (1996–2000): Malcolm McGee (Co-lead)
  • The Tuskegee Airmen (1995): Leroy Cappy (Television film)
  • Drop Zone (1994): Deputy U.S. Marshal Terry Nessip
  • Jeremiah (2002–2004): Kurdy Mallory
  • Listen Up (2004-2005): Bernie Widmer
  • Fool's Gold (2008): Cordell
  • Reed Between the Lines (2011–2015): Dr. Alex Reed (Lead Role)
  • Major Crimes (2013–2016): Lieutenant Chuck Cooper
  • American Horror Story: Freak Show (2014-2015): Angus T. Jefferson
  • American Crime Story: The People v. O.J. Simpson (2016): Al Cowlings
  • Suits (2016–2017): Julius Rowe
  • The Resident (2018–2023): Dr. AJ "The Raptor" Austin (Series Regular)
  • Accused (2023): Kendall Gomillion
  • The Irrational (2023): Dustin Atwood
  • Alert: Missing Persons Unit (2024-2025): Chief Inspector Bill Houston (Recent role)
Awards and Nominations:

Warner's talent was recognized with numerous accolades throughout his career:
  • Primetime Emmy Award Nomination: Outstanding Supporting Actor in a Comedy Series (The Cosby Show, 1986)
  • Grammy Award: Best Traditional R&B Performance (2015)
  • Grammy Award Nomination: Best Spoken Word Poetry Album (2022)
  • NAACP Image Award: Outstanding Actor in a Comedy Series (Reed Between the Lines, 2012)
  • Young Artist Awards: Multiple wins for The Cosby Show.Malcolm-Jamal Warner’s enduring legacy is that of an artist who continually evolved, broke barriers, and used his platform to create meaningful work. He will be deeply missed, but his contributions to entertainment will undoubtedly continue to inspire for generations to come. 
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Miss World Opal Suchata Chuangsri opens up on her plans of visiting Ram Mandir, Ayodhya

Hyderabad: Krystyna Pyszkova of Czech Republic crowns her successor Opal Suchata of Thailand after she who won the 72nd Miss World pageant in Hyderabad, Saturday, May 31, 2025. (Photo: IANS)

Mumbai, June 1 (IANS) Opal Suchata Chuangsri from Thailand, who has been crowned the Miss World 2025, has shared that she plans to visit many temples in India, and the Ram Mandir in Ayodhya is on her list.

Chuangsri spoke with IANS after her massive win, and spoke about the cultural ties between India and Thailand.

She said, “I would love to visit so many temples here in India. I think it's very charming and like I said that we share a lot of cultures and traditions between India and Thailand. So it would be great to visit and to know those places”.

India and Thailand share a long history of cultural and commercial relations. In Thailand, the ‘Ramayana’ is known as ‘Ramakien’. The Indian epic profoundly influenced Thai literature, art, and royal traditions. The story, while based on the original Indian Ramayana, has been adapted into a distinctive Thai version with its own interpretations and cultural nuances.

'Hyderabad: Krystyna Pyszkova of Czech Republic crowns her successor Opal Suchata of Thailand after she who won the 72nd Miss World pageant in Hyderabad, Saturday, May 31, 2025. (Photo: IANS)

Lord Hanuman is given a more prominent role in the Thai version and is sometimes portrayed with a more playful character.

Chuangsri also shared her message for the women of Telangana, the state where the Miss World 2025 grand finale was held.

She said, “I would say that first meeting all of the women here in Telangana, India. You all have really inspired me on this journey with all your strength and resilience and the beauty from within all of you. And all the support and caring that I have received from all of the women here in India. And I think that they are very strong and very capable of all the things they wanted to do in life”.

Opal Suchata Chuangsri has been crowned Miss World 2025 in a star-studded grand finale ceremony which was held on Saturday in Hyderabad, Telangana. She edged out Hasset Dereje Admassu of Ethiopia in the grand finale as the latter emerged as the runner-up.For the ceremony, Suchata donned a white gown adorned with opal-like florals. Miss World Opal Suchata Chuangsri opens up on her plans of visiting Ram Mandir, Ayodhya | MorungExpress | morungexpress.com
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Telangana to host the 72nd 'Miss World', grand finale in Hyderabad


Mumbai, February 19 (IANS) The prestigious beauty festival, 'Miss World', is set to return to India for its 72nd edition. Telangana has been chosen to host the global event in 2025, spanning from May 7th to May 31st. The opening and closing ceremonies, along with the grand finale, are scheduled to take place in Hyderabad.

An official announcement was made by Julia Morley CBE, Chairman and CEO, Miss World Limited, along with Ms. Smita Sabharwal, Secretary to the Government of Telangana, Tourism, Culture, Heritage and Youth Affairs Department.

Julia Morley expressed her excitement about this collaboration saying, “We are delighted to bring the 72nd Miss World Festival to Telangana, a state that beautifully represents its rich culture, innovation, and hospitality. Partnering with the Telangana government allows us to showcase its incredible heritage and dynamic growth to a global audience. This collaboration is not just about hosting the Miss World Festival; it’s about empowering communities, celebrating diversity, and making a lasting impact through our shared commitment to beauty with a purpose.”

Sharing a similar sentiment, Ms. Smita Sabharwal stated, “Telangana is proud to announce that it will be hosting the 72nd Miss World 2025, welcoming the world to witness a land where beauty is not just what meets the eye; it is what resonates with its land, people, culture, and traditions. Telangana is a place where every festival is a spectacle of joy, where every hand that crafts tells a story of skill and devotion—this is Telangana, a reflection of what true beauty symbolizes .”

She added, “Hosting the 72nd Miss World Festival is to tell the world that Telangana is ready—ready to showcase its spirit, its warmth, and its boundless potential.”

'Miss World' will be bringing together participants from over 120 countries and territories competing for the coveted title.The nations’ representatives are scheduled to arrive in Telangana on May 7th. The reigning 'Miss World', Krystyna Pyszková from Czechia will be crowning her successor on May 31st. Telangana to host the 72nd 'Miss World', grand finale in Hyderabad | MorungExpress | morungexpress.com
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Gujarati film Umbarro premiers in the US after international success

Filmmaker Falguni Patel speaking at the screening of ‘Umbarro’. PHOTO: Sachin Ravindran, ITV Gold

“This (film Umbarro) is to show women that everything is possible if they are crossing boundaries and opening their wings like I have done in America,” said Falguni Patel of her latest film production at a recent special premier organized in Edison, attended by dignitaries, community leaders and film lovers.

Falguni Patel is also the producer of India’s 2018 National Award winning film Irada in the category of Best Film on Environment. Irada also won its actor Divya Dutta the National Award for Best Supporting Actress. Falguni Patel who is also an actor, has produced four films including Umbarro – Irada (2017), Ventilator (2018), Hirkani (2019), and Umbarro (2025). Umbarro is her second Gujarati production.
From left, Padma Shri recipient and chairman of Parikh Worldwide Media/ITV Gold Dr. Sudhir Parikh, H.R. Shah, chairman of TV Asia, Chintu Patel, Falguni Patel speaking, India’s Consul General in NY Binaya Srikanta Pradhan, and Srujal Parikh of Federation of Indian Associations. PHOTO: Sachin Ravindran, ITV Gold

Speaking to the gathering of special guests, Falguni Patel said her parents taught her to spread her wings, do whatever she aimed for. She said she would also teach the same to her two daughters. “So this is very close to my heart and I hope the audience appreciates (it) in America as well,” she said.

“It is a story about boundaries of human be

ings. It could be a male female of every age group,” Falguni Patel said. The film is especially about Indian women who sacrifice a lot for their household work, for their careers, being the first to sacrifice for their family, she said.

Umbarro depicts what happens when seven Gujarati women who have not traveled out of their home towns, are all brought together in a travel group by two aspiring tour operators who will also be the tour guides in the destination of their travel, the city of London.
Among the guests at the screening of the film Umbarro, were, From left Dr. Sudha Parikh, Dr. Sudhir Parikh, Padma Shri recipient and chairman of Parikh Worldwide Media, and India’s Consul General in NY Binaya Srikanta Pradhan. PHOTO: Sachin Ravindran, ITV Gold

What follows is a roller coaster ride of language and currency goofs, of bonding, of discovering hidden aspirations and desires and finding emotional support and encouragement from within and from the newly found friends.

That is what the plane trip Gujarati film Umbarro is about. Bringing together seven women actors, the film boasts of a cast of veteran stage and television actors, the extremely talented Sucheta Trivedi and Vandana Pathak, the promising Vineeta Joshi, the recently-turned-to-acting writer Kajal Oza Vaidya, and other noteworthy actors. There is also a special appearance by the Navratri Queen Falguni Pathak.

The film, also produced by Sanjay Chhabria and co-produced by Amit Bhanushali, has been very successful in India, Australia, the UK and Africa.

Shot on location entirely in London, the film is written by Hemant Dhome with a screenplay by Director Abhishek Shah and Keyu Shah, the film maintains its comic streak throughout with touches of serious moments. Umbarro offers visual delights with cinematography by Tribhuvan Babu and audio delights with music by Mehul Surti. The title song ‘Umbarro’ and ‘London Ke Limbdi’ and ‘Travel Mode’ score well with the audiences.
Consul General of India in New York Binaya Srikanta Pradhan, right, was the chief guest at the screening of the film Umbarro. Also seen in photo, filmmaker Falguni Patel, center, and her husband Chintu Patel, left. PHOTO: Sachin Ravindran, ITV Gold

Falguni Patel’s husband, co-producer Chintu Patel described the film as an uplifting, feel-good film with emotions, comedy, fantastic music and much more. He said the film was well received and had a 9.2 rating on IMDB and people were loving it.

Patel stressed that Umbarro was actually shot in London. “To have a Gujarati movie shot for 25 days in London was not easy because your budgets are very small. So I really want to thank all the actors and actresses they have done a tremendous job,” he said.

The film’s director, Shah, is amazing, Patel said. “He is a magician, you will see in the film,” Patel said, adding that the music was fantastic. He thanked co-producer Sanjay Chhabria for staying true to his commitment to the film. “We are very happy for Gujarati film industry and looking forward to promote Gujarati films in the US,” Patel said.

Chief guest Consul General of India in New York Binaya Srikanta Pradhan, commended the Patels for producing and bringing the film to the US and for promoting Indian culture.

“I would say it’s a true contribution to the cultural bridge between our two great Nations. What you are doing is in a very direct way contributing to promoting not only Gujarati movies which are becoming mainstream both in India and abroad, but also you are bringing the culture to United States.”

Hoping for films like Umbarro to have a wider viewership in America on OT platforms, Pradhan said, “I am really happy this year we are promoting Indian movies, not Bollywood alone.” He spoke about the Consulate’s plan to host with support from the Ministry of Information and Broadcasting a forum in New York City with the star cast of the film on the movies and their contribution in our societies and nation building. “At the end of the day, these movies contribute in many different ways to bind our children to the families, to back home,” Pradhan said.

Chairman of ITV Gold and Parikh Worldwide Media, Padma Shri recipient Dr. Sudhir Parikh congratulated Falguni and Chintu Patel for producing good films which have worldwide popularity. He urged the Patels to keep producing films, and supporting the Gujarati Film Industry.
Umbarro poster. Publicity material

The title of the film Umbarro means the doorstep – outside which exists the wide world into which one can step. “I think all of you have crossed that ‘dehleej’ in one way when you came out of India. This is about women crossing the ‘dehleej’ but it is applicable to all,” Pradhan said.

Srujal Parikh, Joint Secretary of Federation of Indian Associations, said the film had a great success throughout India and parts of the world, and praised Falguni Patel for being a national award winning producer. Congratulating Falguni Patel on behalf of FIA and the Gujarati Association of North America for her achievement, Parikh urged the audience to support Gujarati Cinema in the US and also tell their friends and family about it.TV Asia Chairman, H.R.Shah, thanked Consul General Pradhan for attending the screening of a Gujarati film, and for supporting the Gujarati community. Gujarati film Umbarro premiers in the US after international success
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Avneet Kaur wraps up the first schedule of her international film 'Love In Vietnam'

Mumbai, (IANS) Actress Avneet Kaur took to her social media account and dropped some pictures from the set as she wrapped up the first schedule of her international film 'Love In Vietnam'.

Taking to Instagram, Avneet, who has 31.9 million followers on the photo-sharing platform, shared a carousel of pictures with her cast and crew members, and gave some glimpses of the beautiful Vietnam.

She captioned the post, "And it's a wrap for the first schedule of #LoveInVietnam (with a pink heart emoji). Coming to cinemas soon (with clap-board emoji). I'm so proud to be a part of this international project and the first-ever collaboration between India and Vietnam. See you next year at the Cannes Film Festival (with a heart emoji)."

In her carousel post, Avneet is seen holding a clapperboard, surrounded by images that showcase her lively personality as she poses against beautiful Vietnamese landscapes and shares cheerful moments with the cast and crew. She looks as lovely as ever in a blue sweater with chain details, paired with black pants and sneakers.

Soon after Avneet's post surfaced online, fans and her die-hard admirers took to her comments section and praised the 22-year-old actress.

A fan wrote, "Big Congrats to all of us. We are so happy that you are part of this historic project. And not only CANNES… We are going to Rock the World next year."

Another one wrote, "From seeing you on the TV screen to seeing on you the Cannes floor is really a pride for me !!! I'm so so soooo happy for you avu didi !!! You're the hard-working person I aspire to be one day !! Lots of love and respect from my side !! (with a red heart emoji)."

'Love In Vietnam' is based on the bestseller 'Madonna In A Fur Coat', promising a compelling narrative that will resonate with audiences. The movie also stars Shantanu and Vietnamese actress Kha Ngan, helmed by Rahhat Shah Kazmi and produced by Omung Kumar.

On the work front, Avneet began her career in 2010 with Zee TV's dance show 'Dance India Dance Li'l Masters'. Her acting debut came in 2012 with Life OK's 'Meri Maa'.

She then appeared in SAB TV's 'Tedhe Hain Par Tere Mere Hain'. She also participated in the celebrity dance reality show 'Jhalak Dikhhla Jaa 5' paired with 'Taare Zameen Par' fame actor Darsheel Safary.She has been a part of movies like 'Mardaani', 'Chidiakhana', 'Tiku Weds Sheru', and 'Luv Ki Arrange Marriage'. Avneet Kaur wraps up the first schedule of her international film 'Love In Vietnam' | MorungExpress | morungexpress.com
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India to host World Audio Visual & Entertainment Summit


Kohima, (MExN): Government of India will be organising the first World Audio Visual Entertainment Summit (WAVES) under the aegis of the Ministry of Information & Broadcasting, at Goa on the sidelines of 55th International Film Festival from November 20 to 24. The World Audio Visual & Entertainment Summit is a global summit for the media and entertainment industry, specifically focusing on the Indian media and entertainment Industry.

A DIPR report stated that India is one of the largest content creators as well as consumers of the media and entertainment sector. The Indian Media & Entertainment (M&E) industry is one of the fastest growing sectors of India’s economy, with the second-largest online market in the world. Driven by rising incomes, the increasing availability of fast internet and low data rates, large smartphone penetration, growing consumer demand and advertising revenues, the sector is expected to reach a value of nearly USD 54 billion by 2026, up from around USD 28 billion in 2021. With favorable policy interventions, the Media and Entertainment Sector will play a major role in taking India’s economy to achieve a USD 5 trillion economy target.

WAVES will bring M&E leaders from across the globe on to one platform to discuss the issues, mechanisms and create frameworks for enhancing opportunities. The Summit will include roundtable discussions among countries; cross-cultural content promotion; boost AVGC industry; promote Indian IPs; enhance business opportunities for global and Indian players; showcase Indian talent pool; and poise M&E as a means to generate employment in a sustainable media ecosystem. WAVES will serve as a premier platform for industry stakeholders to deliberate and collaborate on emerging trends, innovations and opportunities in the print, digital, audio-visual and entertainment sectors.India, by hosting a global media and entertainment summit, WAVES, will represent the country as a global player in this realm and enhance India’s global image and soft power. India to host World Audio Visual & Entertainment Summit | MorungExpress | morungexpress.com
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First South Asian International Film Festival Florida on April 19 and 20

The South Asian International Film Festival Florida will be held in Tampa from April 19 to 20. Photo: Hemant Dinkar
SAIFFF, a non-profit organization, has announced the inaugural South Asian International Film Festival Florida, scheduled for April 19 and 20 in Tampa, Florida. This landmark event represents the region’s first South Asian film festival, spotlighting a diverse selection of shorts, documentaries and feature films from India, Pakistan, Nepal, the UK, Australia, Canada and the USA. These films collectively showcase the rich tapestry of South Asian cinema across various genres. Organized by a passionate team of film enthusiasts from varied backgrounds including IT professionals, scientists, doctors and local business owners, SAIFFF promises to be a celebration of culture, creativity and community. Each aspect of film organization is managed by dedicated members, infusing the event with enthusiasm and expertise. SAIFFF is made possible in Tampa with the support from local sponsors like GroundGame Health, Sakar Trust, teavity and Mathnasium. Highlights of SAIFFF include the North American premiere of the Hindi film, The Lost Girl, depicting the poignant journey of Suhani, separated during the 1984 Sikh riots, Omi Vaidya’s Marathi film, Aaichya Gavat Marathit Bol, Dada Lakhmi, directed by renowned actor Yashpal Sharma and the North American premiere of Proof Of Concept, a feature film directed by local Floridian filmmaker Anjani Pandey. SAIFFF also screens The Peace Activists, a film about Mahatma Gandhi and Martin Luther King within a dramatic plot that highlights their remarkable similarities in the cause of peace and non-violence, and their engagement with civil disobedience as a methodology and a tool. The festival’s lineup features an array of compelling short films and documentaries from around the world, including titles such as I Am Not Down, The Beginning, From Sweden, With Love, Once Upon A Time In Lahore, Jamun Ka Darakht and Dancing In Fire, a documentary film from Nepal among others. Anticipation is high as SAIFFF expects attendance from Hindi films personalities such as Yashpal Sharma and Aryan Vaid, with hopes of confirmation from other renowned actors and actresses. Alongside film screenings, attendees can participate in panel discussions, Q&A sessions with filmmakers and special events showcasing various aspects of South Asian cinema and culture.
Hemant Dinkar, the founder-organizer of the SAIFFF. Photo: Hemant Dinkar“
We are organizing the South Asian International Film Festival in Tampa because we believe in the power of cinema to bridge cultures, celebrate diversity and showcase the incredible talent of South Asian filmmakers. Our goal is to create a platform that not only entertains but also educates and enlightens audiences about the rich tapestry of stories and perspectives from South Asia. By bringing this festival to Tampa, we aim to foster cultural exchange, promote understanding and provide a unique opportunity for the community to experience the magic of South Asian cinema right here in Florida. We are excited to share these compelling films and narratives with our local audience and to contribute to the vibrant arts scene in Tampa,” said Hemant Dinkar, Founder-Organizer of SAIFFF. First South Asian International Film Festival Florida on April 19 and 20
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Ahmedabad International Children Film Festival Celebrates Its 5th Edition

An animation film being shown at the Ahmedabad International Children’s Film Festival. Photo: Teaser Video Grab

The highly-anticipated fifth edition of the Ahmedabad International Children Film Festival (AICFF) is set to take place from December 8 to 10 at the prestigious Ahmedabad Management Association in the city. AICFF is a testament to the empowerment of young talent, creativity and culture from across the globe, providing a powerful platform for the younger generation to voice their beliefs and inspire positive change in our society.

AICFF is a three-day extravaganza, following the international film festival format, featuring an array of multicultural activities. The festivities kick off on December 8 with an Opening Day filled with excitement, including a grand Red Carpet Opening Ceremony and the screening of the opening film, Balit, from Iran.

The second day is a cinematic journey through films from various countries, complemented by masterclasses. Distinguished film professionals, including directors, actors, writers and filmmakers, both from India and abroad, will grace the occasion, making it a truly global celebration of cinema.

The festival culminates on the third day with a grand Closing Ceremony, where the Closing Film, the Gujarati Mara Pappa Superhero, will be screened, and outstanding talent will be recognized through the presentation of awards.

AICFF has consistently attracted worldwide attention and contributions from various content creators. Over the past four editions, the festival has seen more than 500 films from around the globe. This year, the festival received an impressive 90-plus films from 24 countries, including entries from Iran, Italy, India, Turkey, China, Croatia, United States, Russian Federation, United Kingdom,Ukraine, Taiwan, Switzerland, Singapore, Nepal, Japan, Ireland, Germany, Czech Republic, Canada, Brazil, and the Republic of Korea.

AICFF proudly presents a range of categories and awards, recognizing excellence in various aspects of filmmaking. The categories include Best Feature Film, Best Short Film, Best Documentary Film, Best Animation Film, Best Student Film, Best Director for Feature Film, Best Director for Short Film, Best Director for Documentary Film, Best Actor in a Feature Film, Best Child Actor, Best Story and Best Background Score, along with special recognition through the Golden Kite Award, Silver Kite Award and the Bronze Kite Award.

This year, AICFF is privileged to have Manish Saini as the Festival Director, a two-time National Award winner whose film Gandhi & Co secured India’s Best Children’s Film at the National Awards. Distinguished jury members Aarti Patel, Girish Makwana and Shiladitya Bora bring their expertise to the festival, along with advisor Abhishek Jain, a renowned director and producer.

Saini expressed his commitment to nurturing the next generation through creative cinema, highlighting the festival’s role in motivating young talents. Aarti Patel, Girish Makwana and Shiladitya Bora, as jury members, shared the challenges and joys of selecting the best films every year, while Abhishek Jain, the festival’s advisor, emphasized the importance of celebrating the boundless imagination and stories of children in today’s world.

Chetan Chauhan, publicist by profession and founder of the festival says, “AICFF is one of the gestures we have started for our next generation. We strongly believe that everyone has a story, especially our new generation and every child as protagonist must be heard and we as society must provide them a platform to get their talent. We would also like to thank Milapsinh Jadeja, an angel investor in startups, who has come forward this year to support the festival.”

Dr. Savan Godiawala, President, Ahmedabad Management Association (AMA), added, “AMA means continuing education and we have been constantly supporting the education needs by various training, forums and events of all the stakeholders. The Film Festival is one such event, where we look forward to the young generation to get Education with Entertainment together. International films showcasing at AMA is a proud moment, and I wish citizens of Ahmedabad take maximum advantage of this, as AICFF is free for all of them.”

AICFF wants to be a beacon of inspiration for the next generation, and as it embarks on its fifth edition, it promises to be a celebration of talent, creativity and the power of storytelling. Ahmedabad International Children Film Festival Celebrates Its 5th Edition
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A truly international slate: your guide to the 2024 Oscar nominees for best documentary

This year, all the Oscar nominees for best documentary feature come from outside of the United States.

The dominance of international nonfiction films has some in Hollywood concerned. The North American market has become saturated with true crime and celebrity-powered offerings – often to the detriment of makers of rigourous investigations, riveting real-life stories or innovative artistic expressions.

My research finds, with courage and persistence, documentary filmmakers outside established centres of power draw attention to global problems at the local level. This year’s nominees demonstrate how the industry has shifted from safe topics for English-speaking viewers. This is good news for audiences who want to see depictions from more of the world in which we live.

Here is your guide to the 2024 nominees for best documentary feature.

Bobi Wine: The People’s President

Bobi Wine: The People’s President charts the journey of Ugandan musician Robert Kyagulanyi Ssentamu (stage name Bobi Wine) from humble roots in a Kampalan slum to contesting the corrupt rule of the inexorable Yoweri Museveni as a presidential candidate in 2021.

The first crossroad comes as Museveni changes the country’s constitution to allow him to rule until his death, which Wine and his supporters oppose. On concocted charges, police arrest and torture the popstar-turned-politician. But Wine has the hearts of young voters, as well as his wife Barbie, who adds a personal insight to this fight for freedom.

Although it contains confronting material, Moses Bwayo and Christopher Sharp’s film is the most accessible of the nominees. The documentary features an uplifting Afrobeat soundtrack, and includes astonishing sequences of “people power” at rallies and in protest against state-sanctioned interference to Wine’s campaign.

The Eternal Memory

Maite Alberdi’s portrait of patience and love, The Eternal Memory, has a strong chance at this year’s awards. The film won a top prize at the 2023 Sundance Film Festival and this is Alberdi’s second Oscar nomination for best documentary, after The Mole Agent in 2021.

Journalist Augusto Góngora witnessed many momentous events of Chilean history but his memories are being ravaged by Alzheimer’s disease. His wife of many years, Paulina Urrutia, attempts to stimulate her husband’s confused mind.

Archival footage of Góngora’s reports during the military overthrow of the democratic socialist government in 1973 intersperse this tender documentary. His efforts to record the violence of the Pinochet regime serve as a warning against forgetfulness, and the lyrical tone and steady pace of The Eternal Memory remind the viewer that time passes quickly, so seize the day.

Four Daughters

Filmmaker Kaouther Ben Hania tells the heartrending story of a Tunisian family affected by Islamic radicalisation. The documentary blends fact and fiction by casting actors to play the roles of two absent daughters, Ghofrane and Rahma.

Since the 2011 uprising that ousted autocratic former President Ben Ali, Tunisia has experienced poverty and violence, leading many young people to go to nearby countries to enlist as jihadists.

We watch as mother Olfa Hamrouni meets her surrogate daughters, played by Ichrak Matar and Nour Karoui. Together with the remaining girls, Eya and Tayssir, they reenact scenes from their lives together. Another actor, Hend Sabry, is on standby to take Olfa’s place for parts that are “too difficult” to play as herself.

Four Daughters examines themes of generational loss for women in the Arab world, but not without moments of resilience and humour. Ben Hania’s therapeutic approach to working with her participants challenges practitioners who deploy exploitative modes of documentary production.

To Kill a Tiger

Indian-born Canadian filmmaker Nisha Pahuja’s stunningly shot and scored documentary deals with the gang rape of a 13-year-old girl during a wedding party in Jharkhand in eastern India.

Rice farmer Ranjit seeks justice for his eldest daughter Kiran through the court system: a rare course of action in rural India. Activists from the Srijan Foundation join Ranjit’s quest, hoping to garner a crucial conviction for the crime and to end entrenched prejudices that lead most gender-based violence in India to go unreported.

Pressure and threats mount as Pahuja and her crew capture an all-or-nothing battle. To Kill A Tiger has several unforgettable scenes – and the glimmer of hope on the horizon.

20 Days in Mariupol

Predicted as the favourite to win in a tight race, Pulitzer-prize winning journalist Mstyslav Chernov’s observational-style account of the Russian invasion of the Ukrainian port city Mariupol makes for tense viewing. When Russian troops surround the city, the bombarded citizens and journalists are left without utilities and unable to escape.

This film follows an investigative journalism approach. Chernov sends dispatches to his editors of ordinary people during extraordinary times, and the resulting news items become punctuation points in the film.

Chernov’s camera goes on to tape several atrocities that are terrible yet crucial to witness, making the account an apt recipient of recognition. The bravery to point the camera in the face of oncoming danger is remarkable, and the documentary greatly benefits from a tight assembly by editor Michelle Mizner, who also produced.The Conversation

Phoebe Hart, Associate Professor, Film Screen & Animation, Queensland University of Technology

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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As Disney turns 100, the brand’s real legacy is its business acumen

“100 Years of Wonder” is the theme for Disney’s year-long promotion of the company’s centenary. From special Disney on Ice events to a retrospective at the British Film Institute and limited edition Disney100 merchandise, Disney’s celebration is big business.

The wonder and magic of Disney is consistently promoted. And yet I would argue that Disney’s greatest legacy is not its animated stories or characters, but the more mundane history of its mergers, acquisitions and intellectual property rights.

The business acumen of those behind the scenes at Disney have been central to the peaks and troughs of the company’s enduring presence in the film industry and popular culture at large.

Early Disney

The Walt Disney Company was founded in Hollywood by brothers Walt and Roy Disney in 1923.

Before this, along with friend and animator Ub Iwerks, the brothers had founded Laugh-O-Gram Studio in Kansas City. They then moved west with their successful silent Alice Comedies series, which featured both animation and live action.

Animation is what the Disney studio became known for. First with their shorts which included Mickey Mouse’s third outing in the studio’s first sound film, Steamboat Willie, and the Silly Symphony series. And then in their feature length films, beginning with Snow White and the Seven Dwarfs in 1937.

The first two decades of the studio established Disney’s desire for innovation and profit. This was illustrated through their early adoption of merchandising (Mickey Mouse merchandise was profitable in the mid 1930s) and various technologies, such as Technicolor and sound.

Sinking most of their profits back into their expensive animated ventures led Disney to find ways to cut costs. This included making live action nature series, television shows and opening Disneyland, their first amusement park, in Los Angeles in 1955.

While their animated products were no longer as groundbreaking as they once were, their adoption of television in the 1950s was lucrative and popular, especially The Mickey Mouse Club (1955) and Davy Crockett (1954).

Furthermore, television afforded the company the opportunity to promote their products and authenticate Disney’s position at the forefront of animation. However, live action films – quicker to make and less expensive than animation – dominated their releases in the 1960s, with stars Haley Mills, Fred MacMurray and Dean Jones appearing in multiple Disney films.

In 1966, Walt died. Roy then passed in 1971 and Walt Disney World opened in Florida the same year. In many ways, the Disney Company was never the same after the loss of the founding brothers.

Disney without Walt

The template was established for how the company would function for the next 50 years. Disney animation innovated again in the late 1980s and early 1990s through computer animation. A renaissance took place with the releases of The Little Mermaid (1989), Beauty and the Beast (1991) and The Lion King (1994).

They also expanded into cable television with The Disney Channel and founded a distribution label, Touchstone Pictures, that focused on films for adults.

Screen Cartoonist’s Guild on strike at Walt Disney Productions in 1941. UCLA Library, CC BY

There was unhappiness among animators at the studio towards the company’s bureaucracy and the perception that profits always went back into the films and not to improving working conditions or salaries (one major strike against Disney took place in 1941).

The list of former Disney animators that went on to work elsewhere or open their own animated studios is long and diverse.

Walt had learned the importance of owning rights early in his career, after he lost the intellectual property to his first successful animated character, Oswald the Lucky Rabbit. The imperative to retain proprietorship and diversify the corporation can be witnessed in many of Disney’s deals and mergers.

In 1991, Disney agreed to make films with Pixar, which has gone on to be regarded as an innovative animated studio. They later acquired Pixar in 2006.

Disney Today

In 1995, Disney acquired the ABC television network, which also owned the cable sports network, ESPN. In April 2004, Disney purchased the Muppets franchise. In 2009, Marvel Entertainment was acquired and Lucasfilm was bought in 2012.

Through these purchases, Disney has become one of the most significant entertainment companies in the world and one of the few early Hollywood studios that still maintains name recognition (Disney bought out 20th Century Fox in 2019).

Whereas for earlier generations Disney stood for Mickey Mouse, animated fairy-tale features and family entertainment, for younger generations, Disney is a streaming service, amusement park brand and the creator of the Star Wars universe television programming.

Traces of Walt, Roy and the pioneering animation established in the early days of the studio can be seen in their animated releases, such as Encanto (2021), and company legacy through the “reimagining” of their animated films, such as the recently released live action The Little Mermaid.

The commercial landscape of the entertainment business is always in flux. While many companies are operating their own streaming services, the long term success of these services are questionable. This is most evident in the recent writers and actors strike in Hollywood that was mainly focused on outdated royalty models that do not account for streaming media content.

Disney’s last few releases were not as successful as they had anticipated at the box office and they have lost a significant amount of Disney+ subscribers this year. However, this is a trend taking place throughout Hollywood and, while Disney is struggling, they remain a significant brand in the global media market.

And there is no question that their theme parks continue to be popular with families who want to immerse themselves in all things Disney.

The magic of Disney’s animation and the memories created at their theme parks is part of their “100 years of wonder”. But so is their successful business model that has continually adapted to changes in the entertainment business and its persistent cultural relevance.


Looking for something good? Cut through the noise with a carefully curated selection of the latest releases, live events and exhibitions, straight to your inbox every fortnight, on Fridays. Sign up here.The Conversation


Julie Lobalzo Wright, Assistant Professor in Film and Television Studies, University of Warwick

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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Is the Barbie movie a bold step to reinvent and fix past wrongs or a clever ploy to tap a new market?

Lauren Gurrieri, RMIT UniversityAfter a months-long marketing blitz, the much-hyped Barbie movie is released this week. From a Malibu Barbie dreamhouse listed on AirBnB, an AI tool that transforms selfies into Barbie movie posters and multiple Barbie-themed brand collaborations ranging from nail polish to roller skates, Barbie is everywhere. She has even gone viral as a fashion trend known as Barbiecore, exploding across social media with people embracing vibrant pink hues and hyper feminine aesthetics. A Barbie world is upon us. Although some have criticised this saturation strategy, it is a very deliberate marketing ploy to revitalise and redefine a brand with a contested position and history. As well as attracting adults who grew up with Barbie and are curious to see what’s changed, the reinvention is drawing in those younger fans swept up by the tsunami of marketing and merchandise. Despite being one of the most trusted brands with a value of approximately $US700 million, Barbie has long attracted feminist criticism for fuelling outdated and problematic “plastic fantastic” sexist stereotypes and expectations. The Barbie backlash: Only a few years back, Barbie was a brand in crisis. Sales plummeted across 2011 to 2015 against the cultural backdrop of a rise in body positivity and backlash against a doll that represented narrow ideals and an impossible beauty standard. After all, at life-size Barbie represents a body shape held by less than 1 in 100,000 real people. In fact, she is so anatomically impossible that, if she were real, she would be unable to lift her head, store a full liver or intestines, or menstruate. The backlash has also been in response to growing concerns about how she influences child development, particularly how and what children learn about gender. Barbie has been identified as a risk factor for thin-ideal internalisation and body dissatisfaction for young girls, encouraging motivation for a thinner shape that damages body image and self esteem. And despite the multiple careers Barbie has held over the decades, research highlights that girls who play with Barbie believe they have fewer career options than boys. This speaks to the power of toys to reinforce gender stereotypes, roles and expectations, and how Barbie has imported narrow ideals of femininity, girlhood and womanhood into young girls’ lives. Reinventing a long-established icon: In response to this backlash, Mattel launched a new range of Barbies in 2016 that were promoted as diverse, representing different body shapes, sizes, hair types and skin tones. This was not without criticism, with “curvy” Barbie still considered thin and dolls named in ways that drew attention foremost to their bodies. From a white, well-dressed, middle-class, girl-next-door with friends of a similar ilk, Barbie has since been marketed as a symbol of diversity and inclusion. To signify the extent of the transformation, Mattel’s executives gave this project the code name “Project Dawn”. Mattel - like many other brands joining the “inclusivity revolution” - knew that diversity sells, and they needed to make their brand relevant for contemporary consumers. Diversity initiatives included a line of female role model dolls, promoted as “introducing girls to remarkable women’s stories to show them you can be anything”. Barbie was also given a voice in the form of Barbie Vlogs, where she expressed her views on issues including depression and the sorry reflex. A gender neutral collection called “creatable world” was added in 2019 to open up gender expression possibilities when playing with Barbies. Such efforts were crucial to undoing missteps of the past, such as a “Teen Talk Barbie” that was programmed to say “Math class is tough!”, or the compulsory heterosexuality that Barbie has long advanced. The latest step in Barbie’s transformation: Barbie the film is simply the next step in an evolution to make brand Barbie inclusive. And with a rumoured film budget of $100 million, the supporting marketing machine provides a critical opportunity to reset the Barbie narrative. With Greta Gerwig, acclaimed director of female-led stories such as Little Women and Lady Bird at the helm, and a diverse cast of Barbies of different races, body types, gender identities and sexual preferences, the film and its creators have sought to assure audiences of the film’s feminist leanings. Addressing the complicated history of Barbie is crucial for audiences who grew up and played with the doll and are grappling with introducing her to the next generation of doll consumers. Yet, Robbie Brenner, executive producer of Mattel Films, has explicitly stated that Gerwig’s Barbie is “not a feminist movie”. Indeed, the main character still represents a narrow beauty standard - tall, thin, blonde, white - with diverse characters in place to support her narrative. Which begs the question: are these inclusion initiatives simply emblematic of diversity washing, where the language and symbolism of social justice are hijacked for corporate profit? Or do they represent a genuine effort to redress the chequered history of a brand that promotes poor body image, unrealistic ideals and rampant materialism? What is clear is that in today’s climate where brands are increasingly rewarded for taking a stand on sociopolitical issues, brand Barbie’s attempts to reposition as inclusive have paid off: sales are now booming. Seemingly, Barbie’s famous tagline that “anything is possible” has shown itself to be true. Lauren Gurrieri, Associate Professor in Marketing, RMIT University This article is republished from The Conversation under a Creative Commons license. Read the original article.
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Mrs world 2022 Sargam Koushal not averse to joining Bollywood

JAMMU: Jammu-born Sargam Koushal, who won the Mrs World crown to India in December last year, says she would not mind joining Bollywood but for now she wants to focus on educating youth against the drug menace. The Mumbai-based model, 32, became the first Indian to win the crown after Aditi Govitrikar in 2001. "I will feel good if an opportunity comes my way from Bollywood, known for its popularity and fame. I do not have any problem with that but right now there are more important things to do," Koushal told reporters here. "We are planning a campaign in May or June for the youth to motivate them to stay away from drugs," she added. On the first visit to her birthplace after winning the beauty pageant in Las Vegas on December 17 last year, Koushal said she is totally focused on the awareness campaign to empower women and young girls. "From Mrs India to Mrs world, I do not see any change in between but surely the responsibility has gone up manifold," she said. Koushal thanked her parents for their support and said she would like other parents, husbands and others to support women in achieving their dreams. "I am modelling and will continue to do so. I started modelling even though I like teaching the most. Modelling was my passion and my parents were also fascinated with it and encouraged me to move forward," she said. She said the turning point in her life came when her husband, who is an Indian Navy officer, was transferred to Mumbai. "There, I found youngsters engaged in activities which we cannot even think of. From a young age, they get associated with the film industry, modelling industry, become stylists when they are still in college and it motivated me a lot." The actor said Jammu and Kashmir is an important part of the country and the local youth are talented and educated but they lack exposure and opportunity. She also urged married women not to forget themselves while taking care of their families. "It is unfortunate that the woman after getting married forgets herself and is overburdened with family responsibilities. They need to voice out their opinions and follow their dreams," she said. Copyright © Jammu Links News, Source: Jammu Links News
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With Elton John, Britney Spears releases 1st new song since 2016

With Elton John, Britney Spears releases 1st new song since 2016
Britney Spears released her first new song in six years on Friday with the debut of "Hold Me Closer", a duet with British music legend Elton John. The track -- a dance-inflected take on John's 1970s ballad "Tiny Dancer", with elements of his later hit "The One" -- dropped less than a year after Spears won a court battle with her father, ending a conservatorship arrangement that gave him control over much of her life. "Okie dokie... my first song in 6 years!!!!" Spears wrote on Twitter. "It's pretty damn cool that I'm singing with one of the most classic men of our time." The cover art features childhood images of the two pop legends, who between them have 90 years' experience in the music business. In dusting off some of his 
own classics with the help of a younger artist, John is repeating a trick he pulled with last year's hit "Cold Heart", recorded with Dua Lipa. That track mashed up parts of several of his songs, most notably "Rocket Man". Spears' last release was the 2016 album "Glory". Since then, the singer -- a pop-chart colossus in the late 1990s and early 2000s -- has been in the spotlight as a result of the conservatorship that controlled her life for 13 years. In November, a Los Angeles judge formally approved the process of ending the controversial arrangement, which had given her father Jamie Spears control over almost all of her personal, professional and financial dealings. The multi-award-winning John -- properly Sir Elton John -- is one of Britain's most bankable stars, whose showmanship and musicality have left their mark on the performing arts.Since he first emerged in 1962, the singer -- born Reginald Dwight -- has been responsible for some of the most recognizable tunes in pop, including "Your Song", "Candle in the Wind" and "I'm Still Standing. Source: https://www.daily-bangladesh.com/
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This Film Festival is Looking for a Person to Spend 7 Days Alone Watching Movies in a Remote Lighthouse

Gothenburg Film Festival

By Judy Cole,  Jan 7, 2021, Does locking yourself up somewhere all alone for a week and just watching movies sound like your idea of bliss? Then have we got a film festival for you.

The Gothenburg Film Festival is conducting a “pandemic cinema experiment” in the form of a contest. One candidate chosen from applicants around the globe will be treated to a week’s stay at the site of the historic Pater Noster Lighthhouse located on the craggy island of Hamneskär off the west coast of Sweden.

While there, the winning cinephile will get free room and board along with unlimited access to this year’s festival roster of films. “They are totally isolated. They are not allowed to bring anyone, of course, but also no phone and not even a book,” artistic director Jonas Holmberg, told CBC’s As It Happens. “…It will be only this person and the sea, the waves, the sky and the 60 different premieres that we are screening at the festival.”

Inspired by the pandemic, Holmberg says the experiment aims to examine how social distancing has transformed the movie-watching experience. The most obvious change is the shift from in-person to online and at-home movie viewership.

While traditionally, going to the movies has been something of a communal experience shared with other members of an audience, the trend now is to view films either alone or in small groups. Where once people went to the movies for company, more and more, the films themselves are what provide communal connection.

According to the festival website, “Göteborg Film Festival 2021 will be anything but conventional. No crowds, no parties, no sold-out cinemas. This year’s festival focus, Social Distances, explores the new world that has emerged in the wake of the pandemic. What does film mean to us when we are isolated from everything else? To investigate, we are opening a brand-new cinema. In the middle of the ocean.

“No phone, no family, no friends. Just you, the sea and the festival’s film program with 60 film premieres. For seven days.”

Requisites for the winner, according to Holmberg, are number one: the person must be a true film fan; number two: he or she must either enjoy or tolerate solitude well; number three: since they’ll be expected to document the experience with a video diary, it’s crucial for them to be an adept communicator.

“They will talk about how life is on the island and how these special conditions have affected the relationship to the films that they have seen,” Holmberg says.

The immersive solo movie experience takes place from January 30 through February 6. The winner will live in the lighthouse keeper’s home but all movies will be air in a purpose-built, one-person cinema inside the lighthouse. Interested film lovers should apply at the festival website ASAP.We’re not sure if popcorn is included. This Film Festival is Looking for a Person to Spend 7 Days Alone Watching Movies in a Remote Lighthouse: The Gothenburg Film Festival is looking for 1 person to spend 7 days on a remote lighthouse island watching movies. Apply before Feb 6.
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Space Animation: Sentinel-1a from Operation Copernicus

This is quite a polished video, with slick animation & bouncing background music and the whole deal. It is a nice, quick educational look at rather important that you probably didn't know was going in your world.

From the official description: The European Space Agency’s Sentinel-1a was launched at 21.02 GMT on April 3. Part of the wider Copernicus programme, the satellite will be joined by other similar satellites in the future. This computer animation shows the launch and deployment of the satellite. Credit: Youtube/ESA Sentinel-1a is a European radar imaging satellite. It inaugurates the European Space Agency's Copernicus programme. It is equipped with a C-band Synthetic Aperture Radar. 
Copernicus is a plan to assemble information from environmental satellites, air and ground stations. This information is to be used to monitor Earth conditions relating to temperature and other environmental factors. Copernicus has both environmental and nationalsecurity implications. With Copernicus, the
European Union fulfills its commitment to the Global Earth Observation System of Systems (GEOSS). Sentinel-1A was transported to Kourou, French Guiana for launch. It arrived at the launch pad on 25 February 2014. Launch took place on 3 April 2014.Source: Animated Film Reviews
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44th annual Chaplin Award to be presented to Robert De Niro

Mumbai: The Film Society of Lincoln Center has named Robert De Niro the recipient of its 44th annual Chaplin Award, which honors major industry talents. De Niro will take home the 2017 trophy for a four-decade acting career that stretches from early work including ‘Mean Streets,’ ‘Raging Bull’ and ‘The Godfather Part II’ to more recent projects such as 'Silver Linings Playbook', reported Variety. He is also the high-profile co-founder of the Tribeca Film Festival, launched in the wake of 9/11 in an effort to boost the economic prospects of lower Manhattan. The 73-year-old actor-producer will be honored by the Film
Society at a springtime gala featuring notable guests and presenters as well as movie and interview footage drawn from De Niro's career. He joins a list of previous Chaplin recipients that includes Alfred Hitchcock, Elizabeth Taylor, Meryl Streep, Billy Wilder and last year's honoree, Morgan Freeman. The 44th annual Chaplin Award gala is set for May 8. Prior to that, De Niro's latest project, the Broadway musical adaptation of 'A Bronx Tale,' which he co-directs, will open in December. Source: The Asian Age
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A blockbuster awakens: Star Wars is back

AFP | Los Angeles: Fans cheered the highly anticipated Hollywood premiere of Star Wars: The Force Awakens with standing ovations, applause and screams of delight as the space epic resumes under tight security. The police cordoned off the area around the famed Chinese Theatre on Hollywood Boulev-ard hosting the premiere along with other nearby theaters hosting some 5,000 guests, setting up metal detectors and deploying scores of officers and sniffer dogs. As the stars of the latest inst-allment of the epic walked the red carpet, fans — some who had camped out for days in their Star Wars costumes — went into a frenzy seeking autographs and pictures of the beloved movie characters. “This is like the Academy Awa-rds or something,” Ha-rrison Ford, who plays Han Solo, said. Jeff Bock, an analyst at box office tracker Exhibitor Relations, said “this is probably the biggest opening in decades.” Disney CEO Bob Iger hailed what “could be the biggest premiere we have ever done.” Ever since 1977, when Star Wars introduced the world to the Force, Jedi knights, Darth Vader, Wookiees and clever droids R2-D2 and C-3PO, the sci-fi saga has built a devoted global fan base that spans generations. “I’ve been here since 3:00 am because I wanted to get a good spot,” said James Salazar (19) outside the Chinese Theatre. “I’ve been a fan all my life, it’s my favourite movie and my dad’s also.” The premiere on Monday will be followed by a global rollout taking in a dozen countries beginning on Wednesday before the film officially reaches US theaters on Friday. The intergalactic tale of good versus evil, friendship, loyalty and love created a defining moment in the history of popular culture and launched one of the biggest movie franchises ever. The original blockbu-ster turned Ford, Carr-ie Fisher and Mark Hamill — who play its heroes Han Solo, Prin-cess Leia and Luke Skywalker — into sta-rs overnight. Much to the delight of legions of fans, the beloved veterans return in the new installment — which picks up 30 years after the events of 1983’s Return of the Jedi.” The Force Awakens also brings a host of fresh faces like British actors John Boyega and Daisy Ridley. Source: The Asian Age
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'Star Wars 7' releases special Chinese trailer

A new Chinese poster of "Star Wars: The Force Awakens" released on Dec. 10, 2015. [Photo/China.org.cn]
"Star Wars: The Force Awakens," the most-anticipated science fiction epic of 2015, is being promoted through an exclusive Chinese trailer and six character-based posters that were released on Thursday. The seventh installment is directed by J. J. Abrams and involves a reunion of some of the big namesfrom the original episodes like Harrison Ford (Han Solo), Carrie Fisher (Princess Leah) and Mark Hamill (Luke Skywalker), along with an all-star cast including Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Lupita Nyong'o, Andy Serkis, Domhnall Gleeson, Anthony Daniels, Peter Mayhew, and Max von Sydow. It will open in China on Jan. 9, 2016, three weeks after its American release. The 
A new Chinese poster of "Star Wars: The Force Awakens" released on Dec. 10, 2015. [Photo/China.org.cn]
trailer, especially made for the Chinese market, has an introduction by China's teen idol, actor and singer Lu Han. The content of the trailer includes exciting spaceship and light-saber battles and footage showing new characters as Rey, Finn and the droid BB-8, as well as a crash of Millennium Falcon, that had
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X-Men: Days of Future Past


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By Jedd Jong: The “biggest X-Men film yet” has almost everybody from both the X-Mentrilogy and 2011’s X-Men: First Class in attendance as part of this decades-spanning odyssey. In a post-apocalyptic future, mutants are at war with formidable, super-advanced Sentinel robots. Professor Xavier (Stewart) and Magneto (McKellen) hatch a plan to have Shadowcat (Page) project the consciousness of Wolverine (Jackman) into the body of his younger self; a sort of metaphysical time-travel. “Arriving” in 1973, Wolverine has to wrangle Xavier and Magneto’s younger selves (McAvoy and Fassbender respectively) in order to stop the war before it begins. A threat to mutants emerges in the form of Dr. Bolivar Trask
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(Dinklage), the inventor of the Sentinels. Mystique (Lawrence) is on a mission to hunt and kill Trask, but it is this action that will set the world on its dark path. The various mutants, too many to list in this paragraph, must band together to avert their horrific destiny. To say the X-Men film franchise has had its ups and downs is very much an understatement. As such, fans were understandably wary of X-Men: Days of Future Past, which takes its name and premise, if not every last detail, from the landmark 1981 comics story arc. The “everyone and their mother” cast (well, Mystique’s here but alas, Nightcrawler isn’t) led many to fear that this would be a bloated affair. We’re happy to report that director Bryan Singer has somehow managed to keep all the plates spinning. Because one metaphor isn’t enough to describe how
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masterful the balancing act here is, Days of Future Past is a football field-sized sheet of paper which has been folded into an intricate origami crane. X-Men: First Classis quite different in tone and style from the X-Men trilogy proper, so to marry those two into a cohesive universe is quite the achievement. Naturally, the plot is a complex one and neophytes might feel left out in the cold. For those who have stuck with the mutants’ cinematic outings through thick and thin however, X-Men: Days of Future Past will be rewarding and exhilarating. There’s character development aplenty and the interactions we’ve become familiar with,
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particularly the pivotal, rocky relationship between Xavier and Magneto, get a good deal of play. A section of the film is set against the real-life Paris Peace Accords (with Mark Camacho as a pretty darn good Nixon), lending the film historical context. In addition to all this, spthe poster and she does play ectacle is not in short supply. We’re treated to a variety of combat scenes and action sequences in which the characters’ myriad abilities are showcased in full. There’s also just enough levity amidst the drama; Evan Peters’ kleptomaniac speedster Quicksilver in particular gets to steal the show with what might just be the single greatest slow-motion sequence ever put on film, set to Jim Croce’s ballad “Time in a
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Bottle”. Comic book fans have often joked of “Wolverine publicity”, that Marvel shamelessly coasts on the popularity of the clawed Canuck. In the comics, it was Shadowcat who did the time-travelling but here, everything rides on Logan. Jackman is as good in the role as always; ripped to shreds, baring his butt and playing mediator and guide, a role that’s unfamiliar for the short-tempered Wolverine. McAvoy’s turn is riveting, his lost, broken and argumentative Xavier in stark contrast to the signature tranquillity and wisdom of Patrick Stewart’s portrayal. Thankfully, screenwriter Simon Kinberg has preserved the in-flux relationship between Xavier and Magneto that Matthew Vaughn and Jane Goldman presumably wrote into their draft of the script. Fassbender is majestic, commanding, unwaveringly intense yet undeniably sexy, further proving that casting him as young Magneto was a stroke of genius. Jennifer Lawrence’s Mystique
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is almost as big as  wolverine is on the poster  and she does play a key role; her pursuit of Trask driving the 1973-set portion of the film alongside Wolverine’s quest. Lawrence and her stunt doubles break out some impressive acrobatic fight moves and Mystique’s shape-shifting power is used cleverly and surprisingly several times. The very sympathetic Mystique in X-Men: First Class differs greatly from the cold-blooded lackey in the X-Men trilogy and Lawrence strives to make the character’s transition believable. Dinklage delivers a captivating performance, confident, focused and just menacing enough. Trask is the designated antagonist but he’s certainly not made out to be a cackling, one-dimensional villain. Dinklage’s casting carries a hint of comic book psychology, that perhaps the invention of
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oversized giant robots is Trask’s way of compensating for his slight physical stature.  If there’s something about the film that doesn’t completely succeed, perhaps it’s the aesthetics. For every dazzling visual effects flourish, there is a questionable design choice or a casting of a supporting character that doesn’t quite work. Twilight teen idol Booboo Stewart is far from convincingly tough as Warpath. Quicksilver does come off looking quite silly, but Evan Peters’ joyous portrayal overcomes that. Mystique’s makeup consists mostly of a skin-tight bodysuit here, which no doubt saves application time but also means the scales can look glued-on. The Future Sentinels’ resemblance to the Destroyers in Thor is sometimes distracting; especially the way their faces open up to unleash a burst of flame. Josh
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Helman also looks way too much like Seann William Scott to be taken seriously as Young Stryker, the character having previously been played by character actors Brian Cox and Danny Huston. That said, it’s hard to be bothered by perceived surface-level imperfections when everything else blends and melds so seamlessly. Sequels can have a difficult time justifying their existence, not least when they’re the seventh entry in a long-running franchise. Days of Future Past does more than justify its existence, it becomes a stunning, involving epic that matches awe-inspiring visuals (plus some good 3D effects) with ever-evolving character dynamics. Stick around past the end credits for an appetite-whetting taste of where the story’s headed next. Source: http://themovieandme.blogspot.com,
  • Director : Bryan Singer
  • Cast : Hugh Jackman, James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Peter Dinklage, Patrick Stewart, Ian McKellen, Evan Peters, Halle Berry, Ellen Page, Shawn Ashmore, Omar Sy, Daniel Cudmore, Fan Bingbing, Adan Canto, Booboo Stewart, Josh Helman, Lucas Till, Evan Jonigkeit
  • Genre : Action, Adventure
  • Opens: : 22 May 2014
  • Rating : PG13 (Some Violence & Brief Coarse Language)
  • Summary: The biggest, most ambitious X-Men film yet is also the greatest.
  • RATING: 4.5 out of 5 Stars
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